There is nothing sexier than an actor that has a presence that simply breathes intelligence. Leslie Howard is one of these men, whether a cultured spoof on an author living in the Canadian mountains ("49th Parallel," 1941) or the great Henry Higgins we all know and slightly detest ("Pygmalion," 1938). This man could do a great many things, even behind the camera as well as endearing comedic roles ("Stand-In," 1937) and even some not-so-great films ("Gone With the Wind," 1939).
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