There is something soulful about Eric Portman in the two movies I have seen of his. Soulful in "A Canterbury Tale" and stone
cold ruthless as a Nazi in "49th Parallel," his range is absolutely unparalleled. But there is something greater in his presence, and especially in the prior film. Those eyes, soulful in a character who struggles to separate the burgeoning relationships between the soldiers and the women of his town, do something almost spiritual in an already very moving film.
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with Sheila Sim in "A Canterbury Tale" (1944) |
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"A Canterbury Tale" (1944) |
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with Margaret Scudamore in "A Canuterbury Tale" (1944) |
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in "49th Parallel" (1941) |
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